563 |
A coloured print after Snaffles titled 'Once upon a Time' showing second world war scene with soldiers seated before a tank and reminiscing about hunting, polo and horse racing from the past, 34 x 48cm in wood and gilt frame |
Nil |
|
50 |
564 |
An early 20th century oil painting on board of a harvesting scene with hay cart, farm workers, etc, signed bottom right Geo Hasting, 29 x 43cm in gilt frame with gilt slip together with a coloured print after Sir Peter Scott of wildfowl in flight, 35 x 56cm in wooden frame |
Nil |
|
35 |
565 |
An early 20th century oil painting on canvas of an extensive moorland landscape, signed bottom left F J Widgery and attributed to Frederick John Widgery, dated 1924, 48 x 60cm in gilt frame |
Nil |
|
120 |
566 |
A pair of early 20th century oil paintings on canvas of coastal scenes with fishing and sailing boats approaching a harbour, both signed C H V Knight and one inscribed Boulogne Harbour, 40 x 55cm in gilt frames |
Nil |
|
90 |
567 |
A late 19th century watercolour of an extensive continental lake scene with distant mountains, figures on a stone parapet, etc, indistinctly signed bottom left W Heur, 24 x 54cm in gilt frame |
Nil |
|
30 |
568 |
A large 20th century watercolour of a busy industrial coastal scene with tug boats, steam ships, sailing boats, etc, signed bottom right Peter Knox and inscribed Steamers in the Docks, 52 x 68cm in large gilt frame |
Nil |
|
100 |
569 |
An early 20th century oil painting on canvas, still life of a trug containing an assortment of fruit, signed bottom right S G Fletcher, 35 x 45cm in gilt frame |
Nil |
|
|
569A |
An early 20th century watercolour of a mountainous lake scene with cattle watering, signed bottom left G H Pettitt, 22x30cm in a moulded gilt frame |
Nil |
|
28 |
570 |
A pair of early 20th century watercolours by W Mathison, one showing a marshy landscape with horse, cart and distant mountains the other showing thatched cottages besides a lake with a woman driving geese, both signed bottom left, 24 x 52cm in gilt frames and mounts |
Nil |
|
|
571 |
A pair of early 20th century coloured engravings after W L Wyllie engraved by Harold Wyllie showing the first and last journeys of The Victory in 1778 and 1922 and dedicated to the Earl Beatty, Admiral of the Fleet, 44 x 36cm in gilt frame and wash lined mount |
Nil |
|
75 |
572 |
An early 20th century watercolour of an interior scene with ginger cat sleeping on an armchair with label verso Sir Alexander in Dining Room Armchair 1913, Ditisham, A Jukes-Browne, 17 x 12cm in gilt frame together with a coloured print of a pair of cats in a window after N Plebras, 34 x 34cm in wooden frame |
Nil |
|
|
573 |
A pair of oil paintings on board of marine scenes with three masted sailing ships and further vessels, both signed bottom left A E Prime and dated 1985, 44 x 60cm in gilt frames |
Nil |
|
55 |
574 |
A collection of three oil paintings on canvas board of country landscapes including example with figure fishing by a lake, one signed bottom right E J Wilson, various sizes maximum 30 x 40cm (all framed) |
Nil |
|
35 |
575 |
A pair of early 20th century watercolours of coastal scenes with beached fishing boats, both signed bottom left W Watt, 20 x 27cm in gilt frames together with an early 20th century black and white etching by C H Baskett showing Cremyll Point, Plymouth, 25 x 36cm in black frame |
Nil |
|
45 |
576 |
An oil painting on board in the 19th century continental manner showing a Dutch canal scene with red brick buildings, figures walking along a paved tow path, etc, signed bottom right Roberto, 40 x 60cm in burr wood style frame with gilt slip |
Nil |
|
40 |
577 |
An early 20th century oil painting on canvas by Susan Isobel Dacre (friend of Lord Leighton), suffragette, etc showing a country landscape with trees and stonewall to the foreground, signed bottom left S Isabel Dacre, 28 x 44cm in silver coloured frame with linen slip |
Nil |
|
|
578 |
An oil painting on canvas board by Jerzy Marek showing a bust length portrait of a woman holding a black and white cat whilst observed by a further white cat, signed bottom right J Marekt with painted inscription verso 'Triangle J Marek 1980' and with Tib Lane Gallery, Manchester label inscribed 'Exhibited June 1982', 50 x 40cm in gilt frame with linen slip |
Nil |
|
|
579 |
An oil painting on board of an extensive Irish landscape with woman and donkey, cattle, thatched cottages, distant lough, signed bottom right H A Hobson, inscribed verso 'Arranmore from the Rosses, Co Donegal', 40 x 60cm in cream coloured frame |
Nil |
|
|
580 |
A pair of late 19th century watercolours of mountainous landscapes with figures besides lakes, 37 x 52cm in gilt frames |
Nil |
|
55 |
581 |
An oil painting on canvas, still life of a vase of summer flowers, signed bottom right Gwenther, 50 x 40cm in wooden and gilt frame |
Nil |
|
|
582 |
An oil painting on canvas, still life of cream and white roses in a blue and gilt vase, indistinctly signed bottom right Hill?, 60 x 50cm in swept and moulded frame with distressed finish |
Nil |
|
42 |
583 |
An extensive collection of late 19th century and later prints, etc including signed limited edition coloured print by Edwin Galea showing a marine scene with 'The Burning l'Orient at the Battle of the Nile 1798', signed in pencil bottom right, 38 x 51cm, further prints of a marine subject, a photographic print of Admiral Sir John Jellicoe General Joffre, etc, Scottish related subjects including a coloured print showing the battle of Culloden Moor, etc |
Nil |
|
50 |
584 |
A pastel study of a country landscape at harvest time by Joan Zuckerman signed with initials bottom right JZ and with Montpelier Studio London label verso Joan Zuckermann Manor Farm, Burnham Thorpe, further inscribed Joan Zuckerman and with biographical details, 22 x 28cm in silver coloured frame |
Nil |
|
|
585 |
A signed artists proof screen print by Joan Zuckerman showing poppies, signed bottom right and dated 98, inscribed 'Poppies' and with biographical details verso, 50 x 37cm in green coloured wooden frame |
Nil |
|
|
586 |
A limited edition coloured print by Annie Soudain showing a coastal view with bluebells to the foreground and distant rainbow over the sea, signed to the mount bottom right Annie Soudain and inscribed 'After the Storm', 90/250, 28 x 35cm in blue frame with gilt slip |
Nil |
|
|
587 |
A 19th century watercolour by Paul Bertram (William Henry Pigott) showing a country landscape with shepherd and sheep on a country lane, signed bottom left Paul Bertram, 25 x 35cm in gilt frame with gilt mount |
Nil |
|
85 |
588 |
A watercolour by John Linfield showing a view of La Sagrada Familia (church by Gaudi) Barcelona, signed bottom right John Linfield and inscribed 'Barcelona Sagrada Familia', with further inscription verso, 50 x 32cm in wooden frame |
Nil |
|
|
589 |
An oil painting on board in the impasto technique by Michael Peel of an abstract scene with a church, signed bottom left Peel and with label verso 'Aberdaron Church, Michael Peel', 50 x 60cm in white coloured frame together with pastel study by the same artist showing the Corn Exchange, Manchester, signed bottom right 31 x 14cm in white frame and a further watercolour by Audrey Smith showing Hardanger Fjord and with Tib Lane Gallery verso, 33 x 23cm in gilt frame |
Nil |
|
45 |
590 |
An oil painting on board by Arthur Reginald Smith showing a rocky coastal landscape at St Ives, signed bottom right Reginald Smith and inscribed verso 'Rocks St Ives' and with the artist's name and address, 46 x 59cm in cream painted frame with linen insert |
Nil |
|
75 |
591 |
An oil painting on board by Stanley Cursiter showing a rocky coastal landscape with waves breaking, signed bottom left Stanley Cursiter and inscribed verso 'From the East, Fair Isle', 24 x 34cm in silver coloured frame with cream painted slip |
Nil |
|
2300 |
