Two Day Antique Sale on
Tuesday 28th February & Wednesday 1st March 2017
Both days Online
Lots: 751-800 of 1491
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Lot Description and Estimate Images Sold For
751

An early 20th century oil painting on canvas of a street scene with figures arriving at church, signed bottom right T Langley, 53 x 58 cm approx in moulded gilt frame together with a late 19th century sepia photograph of a group of young men, many wearing straw boaters and dated 1895, also together with a coloured print of a house facade with black cat and bicycle
Estimate: 25-30

20
752

A late 19th century oil painting on canvas showing a Renaissance style scene with male and female characters and a child sitting on a terrace, 48 x 73 cm approx in moulded gilt frame with gilt slip
Estimate: 30-40

50
753

A mid-20th century oil painting on canvas painted in the impasto technique showing buildings painted in tones of yellow, green, red and black, indistinctly signed bottom left Ginatti (?), 60 x 70 cm approx in gilt frame with linen slip
Estimate: 400-450

    
754

A contemporary oil painting on canvas by Anthony Hodge (Nailsworth artist) showing a group of houses, understood to be in Nailsworth, thickly painted in tones of yellow, red and mauve, signed bottom right Hodge, 68 x 89 cm approx in wide bleached wooden frame with gilt slip
Estimate: 100-120

100
755

A French coloured poster after Vikke Bergh for production at the Theatre Lyrique Municipal (Gaite), with a Renaissance type scene and label verso Carnosine Original Opera Poster Mounted on Linen, C 1890, 90 x 69 cm approx in green coloured frame
Estimate: 50-70

    
756

A contemporary oil painting on board showing Tanfield Bridge in the Yorkshire Dales with incised signature bottom left Dallas, 30 x 60 cm approx in wooden and gilt frame together with a signed coloured limited edition print of The Woolpack Inn, signed in pencil bottom right Alan Stuttle and further signed by Stan Richards, etc, edition 3/500, 40 x 56 cm approx in gilt frame, four framed sets of reproduction cigarette cards by John Players & Ogden all showing poultry, further prints of topographical subjects, etc
Estimate: 30-40

50
757

A Buckingham Palace concert programme dated from 23rd June 1869 with Royal Coat of Arms within an embossed lace effect border, 29 x 25 cm approx together with a Victorian sheet music cover of Thy Voice is Near by Mrs Aylmer, both in blue and yellow mounts and marbled blue and gilt frames
Estimate: 25-30

    
758

A pair of early 19th century watercolour studies attributed to George Cumberland Senior showing the Prebendary's House, College Green, Bristol and the Bathing House, Stapleton Woods, Bristol, both inscribed verso with the locations and biographical details of George Cumberland, 14 x 22 cm approx in simple gilt frames
Estimate: 250-300

260
759

A late 19th century watercolour and bodycolour study of three classical style figures, signed with initials bottom right ES, with label verso Edward Slocombe RE, 17 x 17 cm approx in simple gilt frame
Estimate: 50-70

    
760

A late 18th century coloured print on glass showing a crucifixion scene with indistinct inscription verso - This Picture of our Blessed Saviour - August 1788, with further family information, 36 x 26 cm approx in black frame
Estimate: 40-60

45
761

A 17th/18th century Spanish Colonial School devotional oil painting on panel of oval form, showing the Virgin of Valvanera and Child enthroned within a tree, both wearing crowns, she holding a flowering heart and he an open book with Latin inscription - "Volvia el Vostio Apto, porno veeran sacrilegio" the tree set in a landscape with the head of an eagle visible to one side and a fountain or spring to the other; 22 cm maximum oval approx in carved wooden frame with gilt mount with moulded and fluted sunburst detail, 33 x 27 cm maximum framed size
Estimate: 300-500

420
762

A 20th century oil painting on board of bust length portrait of a bearded man drinking from a cup with a straw, with palm fronds behind him, indistinctly signed bottom right Trull (?), 17 x 14 cm approx in gilt frame
Estimate: 50-80

15
763

A contemporary oil painting on board by M Gerrard of a still life with cherries in a ceramic bowl on a white lace edged cloth, signed bottom left M Gerrard, with Clifton Gallery label verso, 19 x 25 cm approx in gilt frame
Estimate: 150-200

170
764

A mid 20th century oil painting on board by Alan Stenhouse Gourley showing a Mediterranean landscape with trees signed bottom left Gourley, date 53, 43 x 50cm in hand finished frame
Estimate: 150-200

    
765

A pair of late 19th century watercolours, one of a river scene with fishermen, the other of a landscape with shepherd and his flock with sheep dog, one signed with initials S S dated 1972, 31 x 53cm in gilt frames

35
766

An unusual humorous fabric collage of a reclining scantily clad lady on a leopard skin style rug incorporating knitted areas padded areas etc, 36 x 53cm in wooden frame
Estimate: 30-40

    
767

An oil painting on canvas in the 19th century manner showing a flock of sheep and a lamb in a woodland setting signed bottom right, G H Gordley, 38 x 50cm in moulded gilt frame and gilt slip
Estimate: 40-50

55
768

A Walt Disney celluloid drawing showing Donald Duck fighting a rat in a garden setting, with label verso, Original Hand Painted Celluloid Drawing Actually Used In A Walt Disney Production, 20 x 25cm in simple white frame
Estimate: 40-60

35
769

An early 20th century gouache study of a racing pigeon with ringed foot dated 1915, signature bottom left W E Witty, dated 1921 (date later altered to 1821) 24 x 19cm in bleached wooden frame
Estimate: 60-80

170
770

A 20th century watercolour by Donald H Edwards showing Gloucester Cathedral with figures, signed bottom left Donald H Edwards, dated 1977, with label verso King Edwards Tower and South Porch, Gloucester Cathedral, Donald H Edwards, with Gloucester address details
Estimate: 40-60

40
771

A 20th century oil painting on board of a river landscape with sailing boat, houses etc, signed bottom left R D Laxon with label verso The Tide - Driven Mill, St Osyth, Essex 28 x 38cm in gilt frame
Estimate: 30-50

25
772

An 18th century black and white engraving of a rural landscape with male and female characters walking along a country road inscribed verso, original etching by Paul Sandby, 23 x 18cm in gilt frame

25
773

A 20th century gouache study of a house beneath a stormy sky, signed bottom right R Constable dated February 5th 1972, inscribed verso Suffolk Farmhouse, by Richard Constable and with Suffolk exhibition details, 27 x 23cm in distressed frame, together with a humorous coloured print of an Edwardian style motoring scene after Chas Crombie, framed
Estimate: 40-60

    
774

A 20th century oil painting on board of an industrial style scene with viaduct, railways signals etc, signed with initials, W J M, (possibly John Masters) 64 x 84cm in painted grey frame
Estimate: 40-60

220
775

An interesting collection of pictures including a gouache study of a chateau interior scene inscribed Chateau Lamorre - The Duke in Darkness by Patrick Hamilton, signed with initials bottom right WJM, (probably for John Masters) 53 x 70cm approx unframed, together with an abstract oil painting of architectural forms in tones of brown, cream and black, signed bottom right F J Owen, dated 73, 87 x 60cm in gilt frame, a gouache study of a flight steps in a of a barn interior setting, an abstract study in tones of red and yellow, signed bottom right T Challinor, dated 65 with label verso, T Challinor, Moving Figure II, 31 x 34cm etc
Estimate: 50-80

55
776

A collection of picture including a framed Toile du Jour, pink printed panel of a girl amongst geese and poultry, 17 x 26cm in gilt frame, a set of three coloured prints after Serge Ivanoff, showing dancers in historical costumes performing La Gavotte, La Karole, etc in gilt frames, and oil painting on board of a still life with fruit and a vase of Daffodils, signed initials JM, together with a gilt framed bevelled mirror of arched top form with Swiss retailer label verso
Estimate: 30-50

40
777

A framed collection of three sheets of pencil, ink, charcoal and watercolour ornithological studies by Andrew Waddington including wading birds, crossbills, etc all three sheets signed, maximum sheets size, 27 x 38cm in wooden and gilt frame, overall frame size 85 x 90cm, together with an artists proof woodcut type print also by Andrew Waddington showing an owl at moonlight, signed bottom right, with inscribed label verso Twilight Owl, A/P, by Andrew Waddington 1977, 22 x 18cm in simple black frame
Estimate: 80-100

90
778

A late 18th century black and white engraving of a sculptural bust of Charles James Fox, inscribed Modelled From Life By J Nollekens, Engraved By T Gaugin And Painted In Crayons By S De-Koster, published 1798 by J Brydon 52 x 38cm in black and gilt frame, together with a further 18th century engraving of a Granite Column at Alexandria, Commonly Called Pompey's Pillar, a 19th century oil painting on canvas of a setter dog in a landscape setting, 31 x 36cm approx. unframed, an early 19th century watercolour of two figures in a mountainous Lakeland landscape, a view of a continental lake scene with castle and a set of three 20th century pencil life studies of a female nude figure
Estimate: 60-80

130
779

A 20th century oil painting on canvas by R E Hardy showing two horses grazing in a sunlit meadow, signed with monogramed bottom right R E H, and inscribed verso R E Hardy, 30 x34cm in cream painted frame
Estimate: 30-50

30
780

A signed coloured limited edition etching by Graham Sutherland showing a study of a wasp in tones of yellow, olive green and black, signed bottom right, Sutherland, edition number 55/66, 43 x 34cm in wooden frame
Estimate: 250-300

340
781

An early 19th century watercolour of a landscape with fox standing beside a waterfall possibly with indistinct signature bottom right, 30 x 24cm in gilt frame
Estimate: 40-50

45
782

An early 20th century pastel, charcoal and other media study attributed to Hercules Brabazon Brabazon, showing an interior scene with figures, with Fine Art Society label verso inscribed, Buildings and Figures After Delacroix, Watercolour by H B Brabazon, number 68, dated November (partial date missing) 12 x 12cm in moulded gilt frame
Estimate: 60-80

220
783

A late 19th century watercolour and body colour study by Frederick Henry Henshaw showing a mountainous lake scene with figures and buildings, signed bottom left F H Henshaw and inscribed Geneva, with old ink ink label verso, The Lake and City of Geneva, Mont Blanc in the Distance, F H Henshaw, 1835, 9 x 13cm in gilt frame and gilt mount
Estimate: 80-120

65
784

A late 19th century watercolour by William Manners showing a shepherd and his flock and sheep dog accompanied by a horse and riding heading down a pathway at sunset, signed bottom left W Manners inscribed to mount, Sunset, William Manners, RBA, 35 x 25cm in gilt frame

80
785

A set of three early 20th century Japanese coloured wood block prints showing female figures against a red ground playing various musical instruments, with character marks and script to left and right, 35 x 23cm in simple black frames
Estimate: 80-100

130
786

An 18th century oil painting on canvas of a scene with a red coated young man accompanied by two dogs being reprimanded by a woman with a baby on her back, 24 x 30cm in gilt frame, together with a coloured print of a 17th century style gentleman in wide rimmed black hat 27 x 20cm in deep black frame, an Oriental 19th century needlework panel, possibly, with floral detail, a pair of black and white engravings after Sir Edwin Landseer, High Life and Low Life, etc
Estimate: 40-60

90
787

A set of three black and white prints of North American spirit subjects including Native American hunters, horsemen etc after Wayne Pushetonequa, 43 x 35cm max in simple black frames
Estimate: 25-30

    
788

A set of four coloured prints after F C Turner showing steeple chasing scenes at the Vale of Aylesbury, together with a further pair of coloured prints of hunting scenes - The Right Sort And The Wrong Sort after Henry Alken, 31 x 46cm in simple black frames
Estimate: 25-30

40
789

A signed coloured print after David Shepherd showering a London scene - Westminster 66 - London's Red Buses, signed bottom right and inscribed Mendip Vintage and Classic Tour May 14th, 39 x 58cm in wooden and gilt frame, together with a book, David Shepherd - My Painting Life, signed and inscribed
Estimate: 25-30

    
790

A extensive collection of paintings by Christopher Glassonbury comprising a portfolio of watercolour subjects including country scenes including Castle Coombe, Newark House, coastal scenes including Crail Harbour, Polperro, etc further mounted watercolours including scenes at Nailsworth etc and a further collection of oil paintings on canvas including mountain scenes, etc
Estimate: 30-50

25
791

A set of three framed reproduction coloured prints of late 19th century Parisian scenes including scenes at Moulin Rouge, Jane Avril dancing the Can Can etc 103 x 71cm approx framed size together with a mixed media study of a scene at a continental underground station signed bottom right J D Lampkin, dated 84, 47 x 64cm in simple clip frame, also together with a quantity of unframed art exhibition posters including exhibitions of the work of Braque, John Piper etc and various unframed prints subjects including Steam Locomotives etc
Estimate: 40-60

100
792

A 20th century outsized oil painting on canvas, naturalistic study of a baby with label verso From Corporatecatto, London, Lee Stewart, Felicity, Oil on Canvas, 198cm x 132cm approx (this painting is understood to have been hung in the boardroom of Mothercare) in simple black frame: Please note large dimensions of this painting
Estimate: 200-250

    
793

A signed coloured limited edition print by Carmel Benson showing a half length study of a character holding a leaf, signed bottom right Carmel Benson, inscribed Young Mystic, edition number 4/10, 71 x 48cm approx in simple wooden frame (displayed on stairwell)
Estimate: 80-120

    
794

A signed monochrome limited edition screen print by Carmel Benson showing a bust length study of a female character, signed bottom right Carmel Benson and inscribed Goodbye Half Moon, edition number 2/11, 70 x 50cm approx in simple wooden frame (displayed on stairwell)
Estimate: 80-100

    
795

A 20th century oil painting on canvas of a standing bulldog, signed bottom right E P Rotherham, 35 x 45cm in gilt frame with linen slip, together with further prints relating to dog subjects including a signed coloured limited edition print after Nora Howarth, showing a Staffordshire Bull Terrier and a further terrier on a sofa, a signed etching of the head of a Setter dog by Alice Bamwell, a humorous coloured print of the head of a Terrier after Cecil Aldin, etc together with a portfolio of coloured prints after Canaletto
Estimate: 40-60

55
796

A quantity of 19th century and later pictures and prints including a print after Lucy Dawson showing a wirehaired dachshund, a late 19th century black and white etching of a musical performance after L Balesterien, a watercolour of a continental garden scene with blossom tree, an oil painting on canvas of a still life of a vase of poppies indistinctly signed bottom right, an early 19th century watercolour of landscape with pond and cottage with cattle in burrwood frame with gilt slip etc
Estimate: 30-50

45
797

A 19th century oil painting on canvas of a extensive landscape with female figure walking along a pathway with distant townscape and river, possibly Gloucester signed bottom left N Day, 53 x 67cm together with a late 19th century oil painting on board of a female figure beside a cottage at sunset, signed bottom right F E Jamieson, 17 x 52cm both in gilt frames
Estimate: 40-60

35
798

Plan, Elevations, Sections, Details and Views of the Cathedral of Glasgow by J Collie, Architect, published by J William 1835, together with L'enseignement Professionnel Du Menuisier by Lyon Jamin containing architectural designs and also together with Der Ornamentenschatz published Stuttgart 1889 with numerous coloured plates of decorative styles including Eygptiain, Greek, Gothic, etc
Estimate: 80-100

    
799

A quantity of unframed pictures and prints inclduing an ink and chalk study of a ironwork bridge, a chalk study of Newgate Chester, gouache studies of genre scenes inclduing a Punch and Judy show, a man mending a bicycle, a market scene, etc, approx sheet size 60 x50cm
Estimate: 25-30

15
800

A 19th century coloured print-portrait of Major General Gordon, 34 x 24cm in gilt frame together with the life of General Gordon published 1885, a black and white engraved portrait of Field Marshall The Right Hon Viscount Wolseley, a coloured print of a 17th century style man in lace collar, signed bottom right T Hamilton Crawford, a coloured print of a Royal Horse Artillery charge, after Harry Payne with printed calendar for 1902 inscribed T Freeman, Fruiterer and Confectioner, a 19th century coloured print of a regiment summond to Waterloo, etc
Estimate: 40-60

30
 
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