Two Day Antique Sale on
Tuesday 31st January & Wednesday 1st February 2017
Both days online
Lots: 603-653 of 1465
Home Page
 
Lot Description and Estimate Images Sold For
603

A 20th century oil painting on canvas, three quarter length portrait by James B Barraclough, ROI, showing a seated lady in a blue dress with pearl necklace and brown cape, the Honourable Margaret Stockdale, (1904-76), daughter of the 1st Baron Faringdon, wife of Col Stockdale of Mears Ashby, Northamptonshire, signed bottom right Barraclough and dated 1933, 101 x 76cm in wide gilt frame with moulded graduating square detail
Estimate: 300-400

300
604

A quantity of pictures by John Preece (Fosseway Artists) including an oil painting on canvas of a winter garden scene 51 x 92cm, an oil painting on canvas board of a still life with pineapple and other fruit 24 x 18cm, watercolours including views a Limone, Lake Garda, Ojen Spain, and Eastleech etc, mostly signed and in various frames, together with a mounted signed colour print after Terence Cuneo showing a canal scene in winter, and a coloured print after Pietro Annigoni showing the shoulder length portrait of a young girl etc
Estimate: 40-60

25
605

An unusual watercolour and body colour architectural study heightened with gold leaf and including obelisks, tiled floor, mask fountainhead etc, by Mervyn Rodda signed bottom right Mervyn Rodda 71 x 38cm in unusual architectural style frame
Estimate: 40-50

40
606

A 19th century black and white print after Holman Hunt - The Light Of The World, 68 x 40cm, a 19th century coloured print showing the First Easter Dawn after F K Thomson both in oak frames with gilt slips, a 19th century coloured map of Gloucestershire from Lewis' topographical dictionary, 27 x 29cm and a reproduction coloured map of Gloucestershire after Saxton
Estimate: 25-30

20
607

A 19th century black and white etching of St Augustine's Gateway - Bristol monogrammed C B and dated 85, 46 x 33cm in oak frame with gilt slip and oak mount, together with a further black and white etching of the Nave at Durham Cathedral signed Morton Mathews, 30 x 20cm in simple black frame and also together with a coloured map of Gloucestershire after Greenwood
Estimate: 30-50

30
608

A quantity of pictures and prints including an oil painting on board of a landscape with a red roofed house signed bottom right Sheail dated 74, with Suffolk address details verso, 35 x 50cm, a tapestry panel with elongated rectangular form with strap work style detail on a blue ground, a further embroidered panel, a oval gilt framed mirror, a pair of chromolithographs after Sylvester Stannard showing rustic scenes with cottages, a pair of oleographs of continental market scenes etc, various sizes all framed
Estimate: 30-50

40
609

A late 19th century Glasgow School oil painting on canvas by James Elder Christie showing a coastal landscape, believed to be at Berwick with figures and distant masts of sailing ships, signed bottom right E Christie dated 99, inscribed verso When the Tide is Low, J Christie, 35 x 54cm unframed
Estimate: 60-80

55
610

A pair of unframed limited edition coloured prints after A L Grace showing a boy receiving cricket lessons, one signed by Len Hutton and both edition number 350/500 produced to commemorate 100 years of test matches, England v Australia in England 57 x 64cm
Estimate: 20-30

10
611

A quantity of Scholastic Publications Limited posters dating from the early 1990's subjects including Roald Dahl subjects, further children's literary subjects, and other related materials including natural history subjects, etc
Estimate: 25-30

20
612

A collection of four 20th century watercolours of landscape subject including example by David Rust - Autumn in the Cotswolds, signed bottom left 11 x 15cm, a harbour scene signed Christopher Hollick 11 x 18cm, a further harbour scene indistinctly signed and a view of Teignmouth signed Joan Barker all framed
Estimate: 30-40

30
613

An late 19th century watercolour of a river scene with heavy horse towing a barge inscribed bottom left Medway, Tonbridge and further inscribed verso T Knatchbull circa.1880, 31 x 51cm, together with two further watercolour and gouache studies by the same hand one inscribed Tunbridge Coal Wharf dated 1883, the other showing a scene in Richmond Park with deer grazing both 25 x 36cm all framed
Estimate: 40-60

50
614

An early 20th century oil painting on canvas of a scene in a Cornish fishing village with figure seated on steps, signed bottom left Joseph Andrews, with label verso A Fisherman's Cottage - Polperro with Birkenhead address details, 60 x 50cm in moulded gilt frame together with a watercolour of a landscape with river with label verso (possibly associated) E Bouverie Hoyton - Nanjizal Cove 36 x 49cm also together with a coloured print showing the Skeletal System published by Cavellini Papers, both framed
Estimate: 150-200

240
615

A watercolour of a Thames scene with Big Ben signed bottom right Phillip Fooks dated 1988 with label verso London Skyline in Wintertime by Phillip Fooks with Marazion Cornwall address details verso, 48 x56cm in simple wooden frame
Estimate: 40-60

    
616

A pair of early 20th century watercolours of Cornish type coastal landscapes both signed bottom right H W Hicks, 15 x 32cm in simple black frames together with a further early 20th century watercolour of a scene at low tide with fishing boats, horse drawn cart etc signed bottom left Hannaford 26 x 36cm in gilt frame
Estimate: 40-50

110
617

A pair of early 20th century studies of eastern scenes with numerous figures, sheep in the shade of a tree, heavily laden vehicle, etc possibly with over painted finish, one signed bottom right A Stephanin, the other signed beneath frame 28 x 38cm in moulded gilt frame
Estimate: 80-100

    
618

A pastel study of a panoramic river landscape signed bottom right Jean Hervey inscribed in pencil bottom right The Don at Paradise dated 1962 with label verso The River Don by Jean Hervey, 38 x 80cm in black and gilt frame with linen slip
Estimate: 40-60

    
619

A black and white engraving after William Hogarth with watercoloured finish - The Enraged Musician 38 x 43cm, an oriental painting on silk panel showing male and female characters fishing in a garden setting 28 x 30cm and a coloured print after Edmund Dulac showing a Japanese style female character and an exotic bird, all framed
Estimate: 25-30

30
620

A 19th century oil painting on canvas of a rural scene with red brick farmhouse, farm workers including man sharpening scythe indistinctly signed bottom right, 44 x 65cm in gilt frame
Estimate: 50-60

    
621

An early 20th century watercolour landscape of an Autumn scene indistinctly signed bottom right L Peuilmann?, with Versailles framers label verso, 29 x 49cm in gilt frame
Estimate: 30-50

    
622

A 19th century wide gilt frame with relief moulded laurel wreath and beaded detail 55 x 45cm overall
Estimate: 20-25

45
623

A 20th century oil painting on board of pink roses signed bottom right TSE Tait dated 63, 40 x 50cm in cream frame with distressed finish together with a further oil painting study of red and pink roses in a gilt frame
Estimate: 30-40

25
624

A late 19th century oil painting on canvas of a landscape with figure walking along a country lane with distant river and city, possibly the River Severn and Gloucester, signed bottom left N Day, 54 x 66 cm in gilt frame
Estimate: 50-70

    
625

A collection of three maps comprising a coloured example of Nottinghamshire by Robert Morden, a black and white map of Gloucestershire and a map of Guernsey and its Dependent Isles, both from Lewis' Topographical Dictionary, various sizes all framed
Estimate: 30-40

30
626

Two 19th century scrap albums filled with a comprehensive collection of scraps including ornithological subjects, dogs, natural history subjects, a watercolour of a river scene showing the HMS Victory, further watercolours of marine subjects including example signed R M Lloyd dated 1891, portrait subjects, etc
Estimate: 60-80

45
627

A substantial portfolio containing a quantity of photographic prints and other photographs of equestrian subjects including many examples inscribed L Agnour?, dogs including a spaniel and her pups, terriers and a wasp, etc
Estimate: 60-80

55
628

A mid 19th century folder containing twelve coloured lithographs by Paul Jerrard - Gems For The Drawing Room - Birds, subjects including the robin red breast, the nightingale, the titmouse, the hedge sparrow, the wren, the chaffinch, the yellowhammer, the swallow, the linnet, the golden crested wren, the wagtail and the whinchat, each coloured plate with accompanying verse, approx sheet size 37 x 27cm
Estimate: 380-400

380
629

A pair of late 18th century oil paintings on panel of male characters in 17th century style costume one inscribed verso Portrait of Van Dyck, the other inscribed Portrait of Michael Angelo and further indistinctly inscribed by Buonarroti?, 11 x 8cm approx in wide gilt frames with leaf detail
Estimate: 150-180

260
631

A coloured print after David Shepherd showing a landscape subject - March Sunlight together with David Shepherd, The Man and his Paintings, published by David & Charles, signed and inscribed To Noreen my best wishes David Shepherd
Estimate: 30-50

    
632

A pair of 19th century coloured engravings one showing a pointer bitch and puppies and inscribed to gilt mount T Ward & Reynolds, the other showing hounds in a kennel inscribed to mount G Morland & Reynolds 29 x 30cm in moulded gilt frames
Estimate: 60-80

75
633

A late 18th century coloured print on glass showing a crucifixion scene with indistinct inscription verso, This Picture Of Our Blessed Saviour - August 1788 with further family information, 36 x 26cm in black frame
Estimate: 60-80

    
634

An early 19th century needlework panel of oval form by Anna Hopkins showing a map of England and Wales with parts of Scotland, Ireland and France, the counties delineated and within a floral border, in black and gilt glass mount with floral detailed corners and in gilt frame 51 x 46cm overall frame size
Estimate: 180-200

170
635

A collection of three framed French menus, one in watercolour with floral and wheatear decoration, all dating from the late 19th and early 20th century
Estimate: 20-25

    
636

An acrylic and watercolour painting on panel by Allan B Laycock, ARWA showing a Cotswold landscape with stone buildings and apple tree, signed bottom right Allan Laycock and dated May 86, label verso Apple Tree - Pitchcombe with Hartpury address details, 38 x 47cm in simple wooden frame
Estimate: 60-80

    
637

A 19th century watercolour of a shepherd and his flock at sunset with label verso Cox (Junior) 17 x 31cm in simple gilt frame
Estimate: 30-50

30
638

An early 20th century oil painting on board of a red geranium with uncompleted painting of trees verso 13 x 18cm in simple gilt frame
Estimate: 20-25

    
639

A pair of 19th century oil paintings on card both of river scenes with figures, fishing boat etc, one signed bottom left J Munsdell and dated 62, 15 x 27cm in moulded gilt frames
Estimate: 80-100

110
640

An early 20th century oil painting on canvas of a Thames river scene, Richmond attributed to James Isiah Lewis signed bottom right J Lewis, 20 x 30cm in swept gilt frame
Estimate: 80-120

110
641

A 19th century coloured engraving of oval form portrait of a young woman in an ornate cast gilt metal frame with floral and tassel decoration enclosed in a further gilt frame with red velvet mount, 29 x 26cm overall size together with a late 18th century coloured engraving after Bartolozzi - A St James's Beauty, a late 18th century coloured engraving after S De Coster - The Warrener engraved by W Nutter, 64 x 47cm also together with two coloured prints after Watteau by Quintessa Art Collection, all in gilt frames
Estimate: 40-60

25
642

A pen, ink and wash drawing by Michael Frith recording a scene at the trial of Jeremy Thorpe, 1979, signed Michael Frith 38 x 54cm in simple black frame
Estimate: 200-250

    
643

A Walt Disney celluloid drawing showing Donald Duck fighting a rat in a garden setting with label verso Original Hand Painted Celluloid Drawing Actually Used in a Walt Disney Production 20 x 25cm in simple white frame
Estimate: 80-120

    
644

A late 19th century watercolour and body colour study of a harbour scene at sunset with fishing boats indistinctly signed bottom right R Mulhollands, 12 x 18cm in gilt frame
Estimate: 30-40

25
645

A late 19th century oil painting on board, study of daffodils signed bottom right G Offord, dated 1899 faintly inscribed verso Geraldine Offord 34 x 25cm in moulded gilt frame and gilt slip
Estimate: 40-60

50
646

Two 20th century Australian collage pictures constructed from natural materials including bark and grasses etc on board, one showing a pair of native Australian huntsmen beside a lake with label verso Vi Hurd, Australia 1984, 24 x 32cm the other showing a landscape with trees further signed verso Vi Hurd dated 1978 21 x 26cm both unframed
Estimate: 30-40

    
647

A 19th century oil painting on board of a river landscape with a country house, figures harvesting, cattle watering etc signed bottom left D F, dated 1866 inscribed verso D Farquharson, 26 x 40cm in reeded gilt frame
Estimate: 80-100

90
648

A 20th century oil painting on board of a Cornish village scene thickly painted in the impasto technique, signed bottom right S Elliott inscribed verso S Elliott - Fowey, Cornwall and with Randwick Stroud, address details 67 x 47cm in pine frame
Estimate: 50-70

    
649

A mid 20th century oil painting on board by Alan Stenhouse Gourley showing a Mediterranean landscape with trees, signed bottom left Gourley, dated 53, 43 x 50cm in hand finished frame
Estimate: 250-300

    
650

A 20th century oil painting on canvas by Donald Floyd showing a river landscape, possibly the River Wye, in autumn, signed bottom left D H Floyd 40 x 50cm in painted frame
Estimate: 120-150

160
651

A late 19th century crystoleum showing characters in 16th century style costume with partially obscured printed signature Alfred Seifert 24 x 18cm in black and gilt moulded frame, a set of three early 20th century coloured etchings by Henry G Walker, showing city scenes with figures all signed in pencil bottom right, together with a coloured print after F Robson showing Pump Court, York all framed
Estimate: 30-40

    
652

A gouache study by W Williams of Plymouth showing a peaceful sunset with figures, signed bottom right W Williams and inscribed Plymouth, 21 x 29cm in gilt frame
Estimate: 40-60

35
653

A 19th century needlework sampler by Ann Shipway, aged 9, dated 1838 and incorporating houses, a tree, dogs, floral border etc and verse entitled 'Contentment' 41 x 31cm in oak frame
Estimate: 40-60

45
 
Home Page